I know, I know, I promised to share more photo tips and I’ve clearly been lax about that. I was feeling a little guilty yesterday, so I decided to put this up on the blog for y’all. I mean, all y’all*.
*in case you are from the North and didn’t know this, “y’all” is not the plural of you – “all y’all” is. It took me a while to learn this when I moved.
Anyway. I meant to do this yesterday, but somehow the day slipped away & I didn’t really have any good ideas until I saw the sun dip behind the trees while I was outside on our patio. So I grabbed a willing subject (!!!) and fired off a few shots. Doesn’t he look willing?
I want to show you another way that pro photography distinguishes itself from everyday images, and that is in the appropriate use of flash. The first image is one that I took exposing correctly for the whole scene. You can see that that leaves the handsome subject woefully underexposed. The second image is one that I took exposing for the subject; however that overexposes the background. The sky & water are blown out (meaning no detail, just a white blurb), and part of his hair, and the color shifts. It doesn’t look bad, but it isn’t “real” – meaning you aren’t aware of the evening ambiance, that this image was taken after sunset, and that there are soft lights on the trail behind him; it could have been in the afternoon.His face still has shadows on it.
This is the perfect time to use flash – but not just your ordinary, on-the-camera full blast flash that makes the subject look like a ghost on a black background. If you put the camera and flash in an automatic mode, the camera meter will calculate the amount of flash needed to light up the subject as the focus of the image. Unfortunately, that will mean that the shutter will close before it can let enough ambient light into the sensor to show us the background. The trick is to control both the amount of light needed to brighten your subject AND the right amount to show the background the way you want to. You do this by using shutter speed and flash power in combination. The third shot is one that I captured using the flash off camera and slightly to the left, manually exposing so that the background shows up just enough to give it that evening feel, and that the willing subject (who is demonstrating admirable self control and heroically fighting the urge to say “are we done yet”) is also exposed well. Notice his skin tone is more normal and the shadows are lifted from his face (no raccoon eyes) – and you can see the blue of the evening sky.

Now, I don’t normally use flash for my portrait sessions in my standard locations because I generally shoot in conditions that don’t have such a wide range of exposures, or where I care a lot about the background. BUT it does become a factor in bright sun or beach images, or in bright fields, and especially in weddings where quite a few images are taken at dusk or in dark reception halls.
The best way to learn about flash is to get a firm understanding of the way that shutter speed and flash power relate to one another in controlling ambient light, and by PRACTICING. Take a series of images keeping your subject and lighting the same, and adjusting the flash power and the shutter speeds to see how they actually affect your exposure and final image.
You can get better at evaluating the quality of a photographer’s work when you learn to look for things like black eye sockets, too orangy/yellow or red tones in low light images or images taken with lamplight, overexposed flashed people in a black room where you can’t see what’s around them, harsh shadows and squints from those in full sun, really dark subjects in a sunny field or conversely people in a field or beach with a white (not blue) sky. Now, I’m not talking about images that are actually done that way for effect – I’m talking about work where every shot is like that, because the photographer doesn’t know how to control the exposure with intent, or is inexperienced with a flash. These are the types of images that help to distinguish custom, professional photography from that done with “a really good camera”. No matter how cute the subject or the pose, the image will be weak without the proper lighting & exposure – and years later, without the “mommy goggles”, that picture will not speak to your heart in the same way. Trust me on that one. I have albums of images like that of my girls, that I thought were great at the time. How I wish I could turn back the clock & get custom photography of them in the days when I didn’t have the skill, and, I thought, the money. Compared to the crazy amount of cute clothes and toys that they had (and of which, of course, no longer exist) it would have been something I treasured and had with me to this day. Priceless.
(understanding why custom photography costs more, use of flash in photography, evening portraits using off camera flash)